Chinese Architecture and the Beaux-Arts
Chinese Architecture and the Beaux-Arts 評價
網友滿意度：
前一陣子去書展看到很多書都很想買~~~~~
但那天居然忘記帶錢包出門 >
整個非常的失落!!!!因為就是要去書展買書呀....
我真的很喜歡看書~日常沒事最大的休閒就是看書
從文學類到旅遊類等等什麼都看
所以買書是我的一大樂趣之一~~~~
最近朋友們都在推薦一本很好看的書!!!!
就是 Chinese Architecture and the Beaux-Arts
是年度排行榜書籍耶!!!
我力馬上博客來購買~~~~~~
博客來時常有打折優惠 買書真得比較優惠唷~~~~
推薦給跟我一樣喜歡閱讀的朋友壓 :)
博客來傳送門順便一起給你囉~~~~~~
(●’ω`●）博客來e-coupon傳送門
Chinese Architecture and the Beaux-Arts
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商品訊息描述:
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the Ecole des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events.? Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications.?? This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the ?cole des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two “met” in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history.
作者簡介
Jeffrey W. Cody
Jeffrey W. Cody is senior project specialist in the Education Department at the Getty Conservation Institute in Los Angeles. Nancy S. Steinhardt is professor of East Asian art and curator of Chinese art at the University of Pennsylvania. Tony Atkin, FAIA, is adjunct associate professor of architecture at the University of Pennsylvania's School of Design and a principal of Atkin Olshin Schade Architects in Philadelphia and Santa Fe, New Mexico.
商品訊息簡述:
作者： Jeffrey W. Cody、Nancy S. Steinhardt、Tony Atkin
新功能介紹- 出版社：香港大學出版社
新功能介紹 - 出版日期：2010/12/01
- 語言：英文
Chinese Architecture and the Beaux-Arts
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